“Shakespeare’s most outrageous comedy, The Taming of the Shrew introduces one of theatre’s great screwball double-acts, a couple hell-bent on confusing and outwitting each other right up to the play’s equivocal and controversial conclusion.” –[...]
Following their performance at Melbourne Fringe, Soothplayers will be running an 8 week course on Elizabethan style tropes, scene week, and long form narrative improv.
Following their performance at Melbourne Fringe, Soothplayers will be running an 8 week course on Elizabethan style tropes, scene week, and long form narrative improv.
Following their performance at Melbourne Fringe, Soothplayers will be running an 8 week course on Elizabethan style tropes, scene week, and long form narrative improv.
Set in a post-apocalyptic wasteland, Gillian Bevan stars as the first woman to play Cymbeline for the Royal Shakespeare Company in a rarely performed romance of deception, jealously, redemption and famously unexpected endings.
Set in a post-apocalyptic wasteland, Gillian Bevan stars as the first woman to play Cymbeline for the Royal Shakespeare Company in a rarely performed romance of deception, jealously, redemption and famously unexpected endings.
Following their performance at Melbourne Fringe, Soothplayers will be running an 8 week course on Elizabethan style tropes, scene week, and long form narrative improv.
Following their performance at Melbourne Fringe, Soothplayers will be running an 8 week course on Elizabethan style tropes, scene week, and long form narrative improv.
